Installation „Ohne einen Glaspalast“
„Glück ohne Glas, wie dumm ist das – Ohne einen Glaspalast ist das Leben eine Last – Im Glashaus brennt es nimmermehr, man braucht da keine Feuerwehr – Das Licht will durch das ganze All – und ist lebendig im Kristall“ Paul Scheerbart
“Ohne einen Glaspalast” Mira O’Brien, 2014
“Ohne einen Glaspalast” is an architectural tableau based on the former Palast der Republik. The grid framework is a scale model of a section of the Palast der Republik’s window façade, made to fit the dimensions of this room. Instead of the famous gold-copper iridescent window panes, a dull grey-green plastic sheeting covers the frame; a material used on scaffolding in construction sites. Shadow-like drawings of broken glass are visible through the translucent layers.
In 1993 a private organization financed the construction of a life-size mural depicting the façade of the 18th century version of the Berliner Stadtschloss. The mural, suspended from scaffolding, was placed on the original footprint of the castle, in Berlin-Mitte. The Palast der Republik, current occupant of this historic plot of land, was conveniently hidden behind a giant mirror, giving the illusion of a continuous Schloss. This former seat of the GDR parliament and communist pleasure dome had stood empty since reunification, awaiting an uncertain fate. The Prussian tableau was intended as a proposal, or even a demand, to not only resurrect the old castle but to tear down the Palast. The scaled-up funhouse format of the proposal did not diminish the seriousness of its message, nor did the curious time-loop of the resurrection. And so some version of the trompe loei’l facade is currently being built.
“Ohne einen Glaspalast” seeks to continue in this tradition of architectural tableaus, found useful not only in the making of spaghetti westerns but also the urban planning of capital cities. This tableau stands as a proposal for a future ruin, located in an obscure side-room of a building about to be gutted and repurposed.
The title, “Ohne einen Glaspalast”, is a fragment of a poem by Paul Scheerbart from his book “Glasarchitektur”. The poem was inscribed on the interior of Bruno Taut’s Glass Pavillion, created as a temporary structure for the Cologne Deutscher Werkbund Exhibition in 1914. Taut and Scheerbart’s utopian vision from exactly 100 years ago is taken as a starting point for the conceptualization of glass architecture in O’Brien’s ongoing research.
“Glück ohne Glas, wie dumm ist das – Ohne einen Glaspalast ist das Leben eine Last – Im Glashaus brennt es nimmermehr, man braucht da keine Feuerwehr –
Das Licht will durch das ganze All – und ist lebendig im Kristall”
– Paul Scheerbart, Glasarchitektur (1914)
Mira O’Brien is an American artist living in Berlin since 2008. She has been an artist in residence at the APT Studios in Brooklyn, NY, and at CCA Andratx, Spain. Solo exhibitions include: General Public in Berlin, Vierter Stock Galerie supported by a grant from the US Embassy in Berlin, as a solo performance/ installation in the historic landmark theatre the Volksbühne in Berlin. Recent group shows have taken place in NY, Los Angeles and Berlin. Her work can currently also be seen at 68Projects in Berlin.
The trompe loei’l mural was filled with such longing and nostalgia to erase history; and yet it was also a very clear vision for the future of the city. The mural seemed to suggest a parallel time line for Berlin, of what might have been if different choices had been made and different victors had prevailed. “Ohne einen Glaspalast” evokes a proposal for the Palast der Republik as a ruin, playing on the fantasy that history is a malleable fabric that can be tailored, thereby allowing us to choose our most idealized moments.
Mira O’Brien is an American artist based in Berlin.
Yale University | New Haven, Connecticut
Masters of Fine Arts (MFA)
UCLA | Los Angeles, California
Fine Art, Philosophy (minor), Bachelors Degree
Awards & Residencies
Berlin Collective Artist in Residence, Brooklyn, NY, 2014
CCA Andratx Artist-in-Residence program, Mallorca, Spain, 2013
Project Grant from US Embassy in Germany for „Brittle Thicket“, 2010
Pilot Projekt Gropiusstadt, Berlin, Germany, 2009
Schoelkopf Travel Grant Prize (with travel to Uzbekistan and Russia), 2007
Lillian Levinson Award, 2004
Resident Artist at Arrowmont School of Arts and Crafts, Gatlinburg, TN, 2004
Hoyt Scholarship, 2003